蝴蝶夫人 Madam Butterfly

蔡明亮 Tsai Ming-liang

2008 / France, Taiwan / Digibeta / Color / 35min

蔡明亮重新詮釋普契尼的《蝴蝶夫人》，邀請《黑眼圈》主角蔡寶珠主演。風韻猶存的寶珠到吉隆坡跟她的男人幽會，第二天男人不見了，留下一長串的帳單讓她去埋。現在連回家的車資都不夠了，只好在喧雜的車站裡不停打電話找男人大吵。整個車站的人好像都知道她的事，跟她同桌吃麵的一對賣唱盲人夫妻很同情卻幫不上忙，只好用歌聲來安撫寶珠。

Baozhu, a married woman, comes all the way to Kuala Lumpur to meet her secret lover. When she wakes up the next day, the man is gone, leaving her a pile of unpaid bills. She can’t afford to go back home and is forced to search everywhere for her man. Then she fights with him over cell phone in a bustling bus station. No one around her can do anything to help. Only the street music performers can sing to comfort her.

鏡花水月Flowers in the mirror, moon in the water:

法蘭柯．呂奈爾Francois Lunel

2009 / France, Taiwan / Digibeta / Color / 50min

蔡明亮接受法國羅浮宮的邀約，拍攝《臉》，特別邀請多位楚浮生前合作的演員與蔡導的班底，外加名模蕾蒂莎．卡斯塔一起演出。《鏡花水月》記錄了蔡導在羅浮宮拍攝《臉》的過程，他說道拍攝該片猶如創作巨幅的畫，沒有觀眾習慣的戲劇性邏輯，直接呈現夢境與現實的交錯。角色在創作世界和真實世界中穿梭，並在不同的角色之間遊走。

Making a film is similar to painting. The only difference is that film is a larger work, without any familiar logics. The director tries to interweave dreams and reality to make it an illusion for the audience. His characters in the film jump between the fictitious world and the real one, among their different roles. He focuses on how to turn death or the conflicted feelings into his inspirations, and how to erase the thin line between death and dreams…

6/28(日) 新三 19.00 ★ ▲

7/04(六) 新三 10.50 ▲

★（導演或影人出席映前或映後座談）

▲（非英語發音且無英文字幕）