一七五紀事 Paragraph 175 

勞勃‧伊普斯汀 Rob EPSTEIN, 傑佛瑞‧佛瑞德曼 Jeffrey Friedman

2000 / USA / Digibeta / B&W, Color / 72min

2000 柏林影展泰迪熊獎、費比西獎 / 2000 日舞影展最佳導演

德意志帝國於1871年制定了刑法第175條「不正常通姦法」，希特勒上台後開始擴大執行，將同性戀及疑為同性戀者入獄，或送入集中營，囚衣上縫著鮮明的粉紅三角標誌，即使戰後集中營關閉，他們仍以囚犯身分繼續服刑；透過少數倖存者，娓娓道出自己在納粹時期的私密體驗，曾經活躍的柏林同性戀文化，並揭示這段被遺忘的歷史空白頁。

By the 1920s, Berlin was a gay Eden - until Hitler came to power. Adopting a rigid "pro-family" policy, the Nazis dusted off and expanded Paragraph 175, an arcane 1871 law outlawing sodomy, drove the thriving gay sub-culture underground, and soon began sending known - or suspected - homosexual men to concentration camps, where they were identified by pink triangles. Paragraph 175 features elderly homosexuals who describe their experiences during the Nazi era – and reveal the hidden chapter of history.

7/07(二) 新三 21.00

電影中的同志 The Celluloid Closet

勞勃‧伊普斯汀 Rob EPSTEIN, 傑佛瑞‧佛瑞德曼 Jeffrey Friedman

1995 / USA / Digibeta / B&W, Color / 102min

1996 柏林影展泰迪熊獎 / 1996 日舞影展言論自由獎

《賓漢》也是同志電影！主流電影對同性戀的醜化由來已久，甚至明文禁止「性違常」情節，然而創作者依然能在片中偷渡：賓漢與老友的相遇猶如一觸即發的乾材烈火，饒富興味；《紅河谷》中互相把玩「手槍」的俊美牛仔，更是偷渡同志情慾的經典。本片透過上百部影片，檢視電影中長久被打壓的同志角色，李安的《囍宴》也收錄其中。

One of the classic documentaries, based on Vito Russo's groundbreaking book, here is a riveting and entertaining look at the history of Hollywood and homosexuality - from comic sissies to lesbian vampires, from pathetic queens to sadistic predators, from the good to the bad. With over a hundred film clips of Hollywood classics - including Spartacus, Rope and Thelma and Louise - and many priceless anecdotes by Tom Hanks, Shirley MacLaine, Susan Sarandon, Whoopi Goldberg, Tony Curtis and Gore Vidal.

6/29(一) 新三 11.00

人人手中線：愛滋拼布的故事 Common Threads: Stories from the Quilt

勞勃‧伊普斯汀 Rob EPSTEIN, 傑佛瑞‧佛瑞德曼 Jeffrey Friedman

1989 / USA / Digibeta / Color / 79min

1990 奧斯卡最佳紀錄片 / 1990 柏林影展Interfilm大獎

奧林匹克選手、戒毒病人、海軍中校、同志運動者、血友病男孩，五個截然不同的人卻有著相同的宿命；1970年代末期，一種神祕的傳染病開始在男同志間蔓延，導演藉著「愛滋病紀念拼布」活動，透過五位受害者親人的私密記憶與媒體報導，勾勒出愛滋蔓延初期的社會氛圍，控訴美國政府在醫療政策上的無能，及民間如火如荼的抗議運動。

In the late 1970s, a mysterious disease began infecting and killing gay men. Here is the story of the first decade of the AIDS, as told through the lives of five diverse individuals who shared a common fate. Using the monumental AIDS Memorial Quilt as its central metaphor, the film weaves together personal memories and news stories to expose the U.S. government’s failure to respond to the growing epidemic, and the vibrant protest movement that was born as a result.

6/30(二) 新三 21.00

哈維米克的時代：邁向自由大道 The Times of Harvey Milk

勞勃‧伊普斯汀 Rob EPSTEIN

1984 / USA / Digibeta / Color / 87min

1985 奧斯卡最佳紀錄片 / 1985 日舞影展評審特別獎 / 1985 國際紀錄片協會最佳記錄片

本片是葛斯．范桑《自由大道》的拍攝藍圖，紀錄片現場直擊的真實畫面、當事人的真情流露，震撼力更勝電影版一籌。哈維．米克於1978年當選舊金山第一位同性戀議員，被視為同志運動的重要里程碑，卻在年底與市長遭同僚槍殺。影片記錄了騷動的年代，哈維．米克的草根政治魅力，審判過程所引發的街頭暴動，以及風起雲湧的社會平權運動。

Vividly recalling the tumultuous political and social climate of San Francisco in the 70s, The Times of Harvey Milk builds a brilliant, gripping portrait of what was really lost when San Francisco City Counselor Harvey Milk and Mayor George Moscone were brutally murdered by fellow Counselor Dan White in November 1978. Spellbinding and intensely moving from start to finish, from the eloquent candle-light memorial joined on the evening, to the angry mobs in the aftermath of the lenient sentence.

7/04(六) 新三 21.10

圖班嫁給我 Tulpan 

賽吉‧德沃茲佛 Sergey Dvortsevoy

2008 / Germany, Kazakhstan, Poland, Russia, Switzerland / 35mm / Color / 100min

2008 坎城影展一種注目單元大獎 / 2008 東京影展最佳影片

哈薩克導演德沃茲佛首部劇情片之作。剛從海軍退伍的阿薩，一心想成為遊牧人，但先決條件是必須討個老婆，牧主才肯配給羊群。阿薩於是向百里遠外的鄰居圖班展開求婚大作戰，只是他對海洋生活的描述，似乎並沒有打動祝在沙漠裡的圖班一家人的歡心。全片起用哈薩克當地非職業演員，富有導演紀錄片作品一貫以來洞悉人性的敏銳及幽默。

After completing his naval service, young Asa travels back to Kazakh steppe where his sister and her husband lead a nomadic life. To start his new life as a shepherd, Asa must get married first. His only hope for marriage on the deserted steppe is Tulpan, who unfortunately doesn’t return his affection simply because he has big ears. Determined to fulfill his ideal life, Asa decides to continue with the pursuit of his dream.

7/05(日) 新二 13.30 ▲（非英語發音且無英文字幕）

雜耍家族 Highway

賽吉‧德沃茲佛 Sergey Dvortsevoy

1999 / France, Germany, Kazakhstan / 35mm / Color / 54min

1999 法國馬賽紀錄片影展大獎

一輛破爛巴士，一個雜耍家庭。他們在哈薩克廣闊的土地當中，進行一次又一次的演出。圍觀的人零零落落，賞錢也常常少得可憐，只有小孩的哭鬧和單調的引擎聲，持續陪伴他們，但表演還是要繼續的。來自哈薩克，原是個飛行員的德沃茲佛，在路途上認識了這個既平凡又不平凡的雜耍家庭。本片拍得幽默又動人，同樣在國際影展屆大受歡迎。

A circus family travels on the highway in a shabby mini-bus. Stopping here and there to perform in front of a handful of villagers. With the barren Kazakh steppes in the background, the children lift a giant steel ball with their teeth, lie down on a bed of glass and perform acrobatics. A baby eagle, found in the grass, becomes their mascot. In the most surreal of scenes, they fall asleep to their mother’s lullaby, as the eagle looms over them contentedly.

7/03(五) 中山14.00

麵包來的日子 Bread Day

賽吉‧德沃茲佛 Sergey Dvortsevoy

1998 / Russia / 35mm / Color / 55min

1998 德國萊比錫國際紀錄片金鴿獎 / 1998 台灣國際紀錄片雙年展評審團特別獎 / 1999 波蘭克拉科紀錄片評審團大獎

曾讓台灣國際紀錄片雙年展觀眾驚為天人的紀錄片，德沃茲佛紀錄蘇俄聖彼得堡附近一個小村落裡，居民們每週等待火車載麵包來的大事，以及村裡麵包站賣麵包擺不平的糾紛與煩惱。敏銳的觀察力，不慌不忙的鏡位，以及幽默的敘事剪輯方式，表現導演對人性的精確審視。本片讓這位哈薩克導演成為國際影壇的新寵，榮獲50座以上的國際大獎。

Once a week, Tuesday is a bread day. A wagon with loaves of bread is pushed by the locals into a village along the bumpy railway track. Once the bread goes on sale, endless difficulties arise. Nobody receives the amount of bread he expects and complaints are everywhere. However, when the wagon has to head back to the branch line for the locomotive to pick up, the villagers recover into solidarity and push the heavy wagon together.

7/03(五) 中山 14.00