解放者得自由2 Liberators Take Liberties (Part 2)

赫克‧桑德爾 Helke SANDER

1992 / Germany / Beta / B&W, Color / 102min

1993紐約人權觀察影展人權貢獻獎 / 1993明斯克女性影展評審團特別獎 / 1995馬德里女性影展特別獎

「我不知道母親為什麼恨我？一直到很多年後才知道，我是戰爭強暴的孩子。」德國女性主義導演赫克‧桑德爾揭露1945年納粹戰敗，聯軍大舉進入柏林時，在柏林發生大規模強暴德國婦女的罪行；當時約有十萬柏林婦女慘遭強暴，約25%因此懷孕。本片直接訪問戰爭強暴受害人生下的孩子，讓我們看到不堪回首的歷史往事並不會因為噤聲而煙消雲散。

The second part features the children born of these events. There are reports relating to the behavior of the German Wehrmacht, and official estimations of the number of children begotten by Germans in the occupied zone. The film reports on the medical consequences and how the institutions dealt with rape. Dr. Gerhard Reichling, a statistician and expert on flight and expulsion, draws conclusions from this collected data.

7/02(四) 新三 13.10

解放者得自由1 Liberators Take Liberties (Part 1)

赫克‧桑德爾 Helke SANDER

1991 / Germany / Beta / B&W, Color / 90min

1993紐約人權觀察影展人權貢獻獎 / 1993明斯克女性影展評審團特別獎 / 1995馬德里女性影展特別獎

德國女性主義導演赫克‧桑德爾以簡約的訪談，揭露1945年納粹戰敗，聯軍大舉進入柏林時，在柏林發生大規模強暴德國婦女的罪行；當時約有十萬柏林婦女慘遭強暴，約25%因此懷孕。本片中循線訪問了多名受暴婦女，也有幾名加害人現身說法，平靜的聲音，簡約的畫面，卻有力地勾勒出德國現代史上最被略過不談的戰爭強暴的往事。

Helke Sander's groundbreaking two-part documentary on the crime of rape perpetrated against German women by the Red Army soldiers during the advance on Berlin in 1945. The first part interviews the raped women to speak —often for the first time in their lives—about their experiences of violence and compares the distinctive memories of the men and women involved.

6/29(一) 新三 22.20

女攝影師，圍牆以西 The All-Round Reduced Personality – Redupers

赫克‧桑德爾 Helke SANDER

1977 / Germany / 35mm / B&W / 98min

1990 柏林影展

住西柏林的單親媽媽暨女攝影師在父權社會中追求獨立，她想縮減生活雜事，好讓自己有更多時間做作品、練瑜伽、追求愛情，可惜當局並不支持她的宏大藝術創作計畫，她只得縮減企圖心，用照相機觀察柏林這座城市，目標鎖定那座礙眼的圍牆。德國女性主義先鋒赫克‧桑德爾自導自演之經典作，混合劇情與紀錄，用聲音和影像營造當年東西分隔的柏林氛圍。

Lenin stated that under Communism, every housewife must learn to conduct state affairs. This film asks the question: when should she do so during the course of her fragmented and varied working day? The main character is no housewife but a busy freelance photographer with a child, a boyfriend and artistic ambitions. The film ridicules the socialist ideal of the all-round developed personality and, with a certain amount of humor, answers the question “Why do Women so rarely achieve anything?”

7/04(六) 新二 16.20 ▲（非英語發音且無英文字幕）

搖滾東柏林 Sun Alley

李安德．豪斯曼 Leander Haussmann

1999 / Germany / 35mm / Color / 90min

2000柏林影展

居住柏林圍牆旁的一群東德青年，反骨的叛逆血液無盡流竄，政治體制更不敵搖滾及愛戀，派對與走私來的滾石樂團唱片才是生活王道。儘管周遭仍少不了監視的抓耙仔，不過上有政策、下有對策，一切都以快樂生活為最高準則！且看住在陽光小巷的這群東德青年，如何發揮青春無敵的本領，讓夢想發光發熱！

Sun Alley paints an amusing picture life of young people in East Berlin in 1973, right on the border between East and West.17-year-old Micha Ehrenreich lives with his parents and sister on the divided street Sun Alley. Micha dreams of becoming a famous pop star one day. He doesn't really care about politics. Nonetheless, he does – like any young and rebellious person – talk of stirring up the entire social structure from the inside…

7/06(一) 中山 14.00

艾美與亞歌 Aimée and Jaguar 

馬克斯．法貝爾布克 Max FÄRBERBÖCK

1999 / Germany / 35mm / Color / 124min

1999 柏林影展銀熊獎最佳女主角 / 2000 金球獎最佳外語片提名

一名身為納粹人妻的亞利安女子，忍了半世紀後，才說出她和二次大戰當時一名從事顛覆納粹地下運動猶太女子的感情。這名在希特勒時期被視為純種金髮碧眼「優秀血統」女子的故事，甫說出立即被寫成小說；一個發生在1943~1944年的柏林，關於愛與人性的故事。影片對女同性戀的萌生與激情，以及納粹時代的柏林次文化有生動描寫。

Berlin 1943-1944. A love affair between two women blossoms, despite the danger of persecution and nightly bombing raids. One of the women is married and a mother of four children. For her, this will be the most decisive experience in her life. For the other woman, permanently under the threat of persecution because she is Jewish and a member of an underground organization, this love gives her the hope to survive.

7/08(三) 中山 11.00 ▲（非英語發音且無英文字幕）

出櫃宣言 Coming Out 

海納．卡羅 Heiner CAROW

1989 / Germany / 35mm / Color / 112min

1990  柏林影展銀熊獎、泰迪熊獎 / 2006  柏林影展

東德史上唯一一部同性戀電影，揭露前所未見的東柏林地下文化。上映隔年，圍牆便倒塌了。影片描述一名羞於承認自己是同性戀的老師，與女同事逐漸產生情愫，一位意外的訪客，竟勾起他壓抑多年的祕密。不久他邂逅了一名年輕男子，旋即陷入狂戀，三人卻因此都陷入痛苦深淵。影片情節通俗，卻觸及偏見、歧視等社會議題，片中的東柏林地下文化可說前所未見。

冬日再見 After Winter Comes Spring

赫爾克‧米塞維茲 Helke MISSELWITZ

1988 / Germany / 35mm / B&W / 115min

1988 德國萊比錫國際紀錄片電影節銀鴿獎 / 1989, 2009 柏林影展

東西德合併的前一年，導演走訪東德各處，拍攝不同年代與工作族群的女子，從她們對當下及過往生活的描述、婚姻的夢想與悲慘、以及對未來的展望，展示共產主義制度下，女性勞動者既被推崇亦被壓抑的兩面處境。不僅獲邀參加柏林影展的圍牆拆除20週年專題，亦為德國少數具有女性觀點的精彩之作。

A journey from the North to the South during the last year of the GDR. Everyone’s wish for change can be felt everywhere. Punk girls, female workers, intellectuals, mothers, young and old women – Helke Misselwitz talks to women about humanity in their county. In every meeting, you feel the mutual sympathy. Sympathy for the strong and self-confident women who point out the dubieties with confidence and for those who are looking for their place in life, struggling with it and working hard.

7/10(五) 新二 13.30 ▲（非英語發音且無英文字幕）

德國之秋 Germany in Autumn 

亞夫．布魯史特林 Alf Brustellin, 漢斯．彼得‧克魯斯 Hans Peter Cloos, 萊納．韋納．法斯賓達 Rainer Werner Fassbinder, 亞歷山大．克魯格 Alexander Kluge, 麥斯米蘭．邁恩卡 Maximiliane Mainka, 比亞特．邁恩卡‧傑林賀斯 Beate Mainka-Jellinghaus, 艾德．葛萊茲 Edgar Reitz, 卡嘉．盧普Katja Rupé, 沃克．雪朗道夫 Volker Schloendorff, 彼得．舒伯特Peter Schubert, 伯恩哈德．辛格 Bernhard Sinkel

1978 / Germany / 35mm / B&W, Color / 116min

1978 柏林影展競賽單元 / 1978德國電影獎金獎

這是一部德國新電影運動時期必看的經典之作。1977年秋季，一系列恐怖活動帶給西德社會極大動盪不安，法斯賓達、雪朗多夫等十一名德國年輕導演，有感時局動盪，特地拍攝十一段短片，捕捉當時西德社會的不安，以及年輕世代對時局的憤怒感。全片宛如德國新電影運動先聲，也對當代德國青壯世代影響深遠，並直接促成三十年後《德國09》的拍攝。

Germany‘s top directors, including Volker Schlöndorff, joined forces to make this episodic film. Throughout the 70s, the RAF waged a campaign of terror against those in power, and the government‘s escalating efforts to root out the terrorists resulted in a siege by the autumn of 1977. Here is an immediate, impassioned response to the events of that autumn: the RAF murder of industrialist Hanns-Martin Schleyer and the subsequent, highly suspicious deaths of the imprisoned Baader-Meinhof terrorists.

6/26(五) 新二 13.00 ▲

第三代 The Third Generation 

萊納‧韋納‧法斯賓達 Rainer Werner FASSBINDER

1979 / Germany / 16mm / Color / 105min

法斯賓達拍攝《德國之秋》同一年，另拍攝了這部嘲諷西德恐怖份子的作品。影片描述第三代紅軍派，淪為中產階級青年毫無目的的生活遊戲。他們採取各種犯罪行徑，搶銀行、放炸彈、謀殺，連銀行家的太太也藏身恐怖組織。他們並不關心政治，只是關注自己。六段式劇情，風格怪誕，當年上映時，因為太玩世不恭，曾引發激動的觀眾放火燒電影院的事件。

A group of bored terrorists in Berlin is practicing terrorism without realizing that they are manipulated by an industrialist. A computer combination uses their actions for their own aim. They want to force the government to buy better tracing devices. A black comedy that serves Fassbinder as a description of the psychic constitution of the third generation of RAF-terrorists in 1977, one year after the RAF kidnapping and murder of industrialist Hans-Martin Schleyer.

7/03(五) 新三 11.00

7/04(六) 新三 18.40

德國，蒼白的母親 Germany, Pale Mother

賀瑪‧桑德斯－布拉姆斯 Helma SANDERS-BRAHMS

1979 / Germany / 16mm / Color / 123min

1980 法國克緹爾女性影展大獎 / 1980, 1990 柏林影展

德國新電影導演賀瑪‧桑德斯‧布拉姆斯帶自傳意味的成名作。電影始於一段童話般的婚姻，不久後新郎從軍，新娘與新生女兒相依為命，但卻有如小紅帽在森林中躲避大野狼的追擊。戰後返家的父親，被戰爭折磨成一個個性扭曲的暴戾男性，母親則退縮成一個自閉的婦人。荷索《浮石記》女主角伊娃‧曼特斯，精湛演技無疑演活母親一角。

A normal love story - except that it takes place during the Nazi era and into the 50s about a man, a woman, and a child. He is a soldier in the German army. She has to endure the bombings, rape and the privations of post-war years to build up her marriage again - only to break down in the end, like the whole brittle edifice of family bliss for which all three have waited for so long.

7/02(四) 新三 19.00

熱舞夏日 Hot Summer

喬西姆．哈斯勒Joachim HASLER

1968 / Germany / 35mm / Color / 91min

一個陽光燦爛的夏日，12位美眉碰上11位帥哥，俊男美女、燦爛笑容，女孩搔首弄姿，男孩爭風吃醋，在前往波羅的海度假海灘的路上，熱情歌舞、一路歡唱，猶如《火爆浪子》加《柳媚花嬌》。偶像盡出，一部比寶萊塢更殺的東德青春浪漫歌舞靚片，一起來高歌「Hot Summer」！上映當年即創下高度票房，電影原聲帶也在市場賣到缺貨。

While hitchhiking to the Baltic, a group of girls meet a group of boys. They bet on who will get to the Baltic first. When they meet up on a Baltic beach, various encounters and provocations come up. Everybody is intrigued by the “ménage à trois“ between Brit, Wolf and Kai. Provoked by the girls, Brit spends half the night with Wolf in a barn... Nobody knows what happened there. A fight between Kai and Wolf ensues, and Brit almost loses both admirers.

7/01(三) 新三 15.00 ★ ▲

7/05(日) 中山 14.00 ▲

兇手就在你身邊 The Murderers Are Among Us

沃夫岡‧史塔特 Wolfgang STAUDTE

1946 / Germany / 35mm / B&W / 88min

1945年戰後的柏林，一片斷垣殘壁，漢斯醫生活在揮之不去的戰爭陰影中。此時公寓原本的女主人蘇珊從集中營回來了，在她的幫助之下，兩人逐漸萌生愛意，展開新生活。漢斯得知戰時作惡多端的軍官尚在人世，並過著富足的生活，他失望於正義不彰，決定制裁這名軍官。本片製作精細，卡司陣容堅強，劇情反映戰後德國人對戰爭罪行的省思。

In 1945, a surgeon, Dr. Hans Mertens, tries to drown his nightmarish soldier memories in alcohol in the midst of the ruins of Berlin. His life between drunkenness and self pity is interrupted when the real owner of his apartment comes back from a concentration camp. Susanne Wallner, a young painter, gets along with the new situation because she is eager to start a new life…

6/29(一) 新二 19.30 ★ ▲

6/30(二) 新二 21.00 ▲

橋下戀曲 Under the Bridges

海爾默‧考特納 Helmut KAEUTNER

1944 / Germany / 35mm / B&W / 92min

1946 盧卡諾影展

亨利與威利駕船航行在柏林哈維爾河，行經一座又一座的橋。這時他們發現女子安娜，正打算自橋上跳下，於是兩人急忙上前阻止。好巧不巧，兩人卻都同時愛上安娜，相約追到她的人，就必須放棄自己的船。威利深愛安娜，卻發現安娜愛上亨利。本片是納粹時期少數不為政治服務的傑出作品，攝影風格與敘事手法頗有法國導演尚雷諾之風。

Hendrik and Willi are the owners of a canal barge. One evening, they spot a girl, Anna, who is apparently about to jump off a bridge. They both run to save her, but are disappointed to find out that she merely throws a note into the river to rid a bad memory. As Anna travels back to Berlin with them, the two friends both fall in love with her. The two men make an agreement with one another: whoever wins Anna must forfeit his claim to the barge.

6/29(一) 新二 21.50 ★ ▲

穿制服的女孩 Girls in Uniform

萊昂蒂娜‧莎崗 Leontine SAGAN

1931 / Germany / 35mm / B&W / 98min

1932 威尼斯影展

德國第一部正式在院線上映的電影，也是第一部同志電影，1931年在柏林上映即造成轟動。影片描述普魯士時代一個天主教寄宿女校，一個學生愛上了她的老師，老師欲拒還迎，一派受壓抑的中產階級與威權階級的拘謹作風，更突顯了學生們追求自由的天真。本片內容被視為影射當時普魯士法律和社會制度的冷酷，也被評為當年德國最佳影片。

Manuela,14, is sent to an aristocratic girls’ boarding school after her mother’s death. The school is run by an iron-handed headmistress, whose basic principles are discipline, orderliness and abstinence. In these surroundings, Manuela becomes introverted. Her only ray of light is her teacher Elizabeth who shows the girls love and understanding. One day, Manuela declares her love for Elizabeth. The headmistress is scandalized and locks Manuela in the isolation room …

6/28(日) 新二 18.30 ▲

柏林工人日記 Current Problems: How the Berlin Worker Lives

史拉坦‧杜多 Slatan Dudow

1930 / Germany / 35mm / B&W /12min

當柏林的有錢人過著豪奢生活時，城市東邊聚居著大量的勞工階級，地下室的住所潮濕陰暗，結核病四處散播，染病的孩童毫無生氣。史拉坦‧杜多首度拍攝電影，以紀錄片的形式呈現二次世界大戰之前，威瑪共和時期柏林的社會問題，堪稱德國無產階級電影的前鋒。同場並加映導演第一部劇情長片《世界屬於誰》。

It is a silent documentary contrasting the living conditions of Berlin laborers with those enjoying the city's villas. During the period of Weimar Republic (1919~1933), Berlin faced serious inflation problems and a rising unemployment rate. The film portrays the unfavorable living conditions of the working class in East Berlin, with contagious tuberculosis spreading and ailing children distressed. Slatan Dudow’s debut film speaks for the .

星期天的約會 People on Sunday

羅伯特．西奧德梅克 Robert SIODMAK, 葛特．西奧德梅克 Curt SIODMAK, 愛德嘉．奧爾瑪 Edgar G. ULMER, 佛烈德．辛尼曼 Fred ZINNEMANN

1929 / Germany / 35mm / B&W / 73min

2005 雪梨影展

柏林夏日，兩男兩女和無數柏林人一樣，相約週日出遊，他們在湖邊戲耍調情，其中一人還引誘了同遊的一位女孩。分手前大家相約下週再見，但是到了下個週日，男子早把女孩拋在腦後，另尋樂子去了。本片由比利．懷德等五個年輕人共同完成，生動而細膩地呈現1920年代柏林都會的繁華風貌與一個始亂終棄的愛情故事，為德國影史上首部獨立製片。

A tale of five young Berliners - a taxi driver, a traveling wine dealer, a record shop sales girl, a film extra, and a model - spending a typical Sunday together. In this vivid snapshot of Berlin life, a trip to the countryside reveals the flirtations, rivalries, jealousies, and petty irritations common to any group outing. Coincidently, the viewer gains insight into the lives of different residents of the metropole, and follows them through their everyday activities.

6/30(二) 新二 13.30 ★（導演或影人出席映前或映後座談）