電影節最新公告

★★2009第十一屆台北電影節圓滿落幕!精彩畫面請到相簿瞧一瞧 !(點這邊)★★

 

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目前分類:華人影像精選 (16)

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《我的24小時-家庭》My 24 Hours II – Families 

我的24-家庭 My 24 Hours II Families

製片統籌:李四端Lee Sy-duan, 楊順美Yang Shun-mei, 路克史拉克Jean-Luc Slock

2009 / Taiwan / Digibeta / Color / 98min

一個念頭,開展了富邦文教基金會《我的24小時》青少年拍片計畫。跨橫洲際,來自日本、剛果、芬蘭、巴西、台灣的五國青少年,各自拍攝代表自己世界的十分鐘,加上國際監製的《鏡頭之外》,我們再次聽到青春最真實的聲音,看到世界上不同的生活樣貌、家人關係及同儕互動。

A five-segment documentary introduces the lives of 5 teenagers from different countries. Sara from Japan carries a portable Shinto shrine. Congolese girl, Vida, lives in a shelter, making a living by performing puppet shows in the street. A Finnish young couple have different plans for life while two Brazilian teens lead polar opposite lives—one from the slum and the other from the rich. As for Zi-yun and Guan-de in Taiwan – she wishes to meet her favorite celebrity while he is missing his mom.

7/02() 新三 15.30


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《外賣》Take Out 

外賣 Take Out  trailerbar2.jpg

西恩.貝克 Sean Baker, 鄒時擎 Tsou Shih-ching

2008 / USA / Digibeta / Color / 87min

包括李安在內的許多旅美華人導演都拍過唐人街中國餐館的題材。本片描述一名中國非法移民,面臨高利貸的無情討債,除了向朋友同事借錢之外,就只能靠在紐約街頭送外賣來賺取工資抵債。生存的壓力直接而巨大,美國夢如此近又如此遙遠。這部低成本的獨立電影以半劇情半紀錄的寫實影像,生動地捕捉了外賣生活及餐館工作的氣息,是一部成績不俗的小品。

Ming Ding is an illegal Chinese immigrant working as a deliveryman for a Chinese take-out shop in New York City. In order to pay off his debt to the smugglers who brought him to the US, he needs to make more than double his average daily income. Throughout the upper Manhattan neighborhood where social and economic extremes exist side by side, the film presents a harsh and realistic look at the daily lives of illegal Chinese immigrants nowadays.

6/28() 新三 13.00 售完!

7/09() 新三 10.20

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《台北異想》Taipei 24H 

台北異想 Taipei 24H  trailerbar2.jpg

鄭芬芬 Cheng Feng-feng, 鈕承澤 Niu Cheng-zer, 許榕容 Debbie Hsu, 程孝澤 Cheng Hsiao-tse, 李啟源 Lee Chi Yuarn, 陳映蓉 Chen Yin-jung, 安哲毅 An Je-yi, 李康生 Lee Kang-sheng

2009 / Taiwan / Digibeta / Color / 94min

天亮不說早安,午休時的情慾,下班時的夢遊,打烊後的夜市。從清晨到深夜,台北都有不同的故事在發生。透過8位導演,8部劇情短片,將一天分成8個時段,接力詮釋一天24小時的台北故事。魔幻異想、探索記憶、溫潤感人、嘻笑怒罵,日復一日,生活不過如此20年未演戲的蔡明亮,更特別為愛徒李康生下海演出。

Dividing 24 hours in Taipei into 8 segments, 8 filmmakers depict a day in Taipei. It opens with Cheng Fen-fen's upbeat and comic Share the Morning, and has Li Kang-sheng running the final leg of this "relay" with Remembrance at 4am, with Tsai Ming-liang making a rare screen appearance visiting the final night of a coffee shop. In between, Miao Miao's Cheng Hsiao-tse tells a puppy-love story, and DJ Chen's Dream Walker takes a magical ride on Taiwan's subway.

6/30() 新三 16.00 售完!

 

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《一八九五》Blue Brave 

一八九五 Blue Brave  trailerbar2.jpg

洪智育 HUNG Chih-yu

2008 / Taiwan / 35mm / Color / 110min

甲午戰後,清朝將台灣割讓給日本,台灣人群起抗日,客籍義勇軍領袖吳湯興率游擊隊阻礙日軍南下,終因彈盡援絕,在八卦山全軍覆沒。妻子黃賢妹投井獲救,後絕食而亡,台灣進入殖民時代。來台接收的日本能久親王和隨行軍醫森鷗外,對台灣的美麗豐饒和台灣人民的奮勇精神,都深受震撼。本片改編自客籍作家李喬的《情歸大地》,並由馬修連恩配樂。

Xianmei Huang was kidnapped years ago by a robber, but when she was finally released and got home, nobody believed in her chastity. Tangxing Wu married her, regardless of all the opposed opinions. Ten years later, Taiwan was ceded to Japan after the ino-Japanese War. Tangxing led the Hakka militiamen to fight the Japanese troops. Then the militia was annihilated. By the end of this fierce battle, Taiwan was officially colonized.

7/06() 新二 16.00  

 

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《機動部隊-同袍》Tactical Unit – Comrades In Arms 

機動部隊同袍 Tactical Unit Comrades In Arms  trailerbar2.jpg

羅永昌 LAW Wing-cheong

2009 / HK / 35mm / Color / 90min

2009 香港電影節

警隊同袍合作帶隊,但團隊關係早已崩解。這回他們各自率領屬下,在隊伍解散前的最後一天執行任務,在相互競爭又相互扶持的同袍關係之中,他們必須拋開成見來合作。杜琪峰監製的《機動部隊》系列,由劉國昌和羅永昌各自拍攝兩集,雖是電視台製作的作品,但不論片長、卡司、風格與敘事方式,都走電影路線,再次印證警察電影是最成熟的香港類型電影。

In a police squad, you never know whether your colleague is your friend or foe. Sam and May have been partners, but they never get along. Now they’ll have to go into the mountains to search for a group of armed robbers. In the deepest mountains, they spot the hiding place of these illegal immigrants. But each of them loses a teammate in chaos. With different opinions on the rescue, will they put aside their prejudice and work hand in hand?

7/03() 新二 23.10

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《證人》The Beast Stalker 

證人 The Beast Stalker  trailerbar2.jpg

林超賢 Dante LAM

2008 / HK / 35mm / Color / 109min

2008 香港電影評論學會最佳男演員 / 2009 柏林影展 / 2009 香港電影金像獎最佳男主角、最佳男配角

《千機變》導演林超賢最新作品,由謝霆鋒、張靜初、張家輝等實力派演員傾力演出。重案組員唐飛,在追捕重犯的時候,發生嚴重車禍,之後更開槍誤殺一名女孩。檢控官高敏親眼目睹大女兒慘死,小女兒丁玲便成了他唯一的希望。亡命之徒洪荊,奉命必須活捉丁玲,才能賺一大筆錢來照顧癱瘓的妻子。因為一宗車禍,三人的命運彼此牽動著。

Sergeant Tong Fei kills the eldest daughter of the prosecutor Ann Gao by accident while capturing a suspect named Cheung Yat-tung. Ann tries really hard to bring Cheung to justice. But before the trial, Ann’s younger daughter, Ling, is kidnapped. Ann is asked to drop all the charges against Cheung in exchange of her daughter’s freedom. Tong and Ann never get along, but they finally decide to work together to get Ling back.

6/26() 新二 21.20

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《麥收》Wheat Harvest 

麥收 Wheat Harvest

徐童 XU Tong

2008 / China / Digibeta / Color / 98min

2009 雲之南紀錄影像展觀眾票選最佳影片

影片始於河北鄉下一個臥病的老農,他盛讚女兒能幹,撐起整個家的重擔。影片隨著主角來到北京一個胡同,原來女兒是在北京一條暗巷裡當私娼。影片圍繞農村麥收的前後,記錄這個女孩在北京與鄉下的兩種處境、兩種生活。本片在雲之南紀錄影像展放映時,引發觀眾激烈的反應,有人質疑道德問題,強烈主張撤片,但影片仍得到多數人肯定,贏得觀眾票選獎。(本片僅限電影節現場售票)

In June when the wheat is about to ripe, she returns home from Beijing to Hebei. Her father is lying severely ill in bed. Earlier, we see this country girl of barely 20 years old in a corner of her life as a prostitute. Now her father is critically ill. She’s given most of her money to her family, ready to go back to Beijing…Time flies by, and the wheat is about to ripe again. But the constant raining makes it impossible to harvest…

7/09() 新三 21.30 (導演或影人出席映前或映後座談)

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《完美生活》Perfect Life 

完美生活 Perfect Life  trailerbar2.jpg

唐曉白 Emily Tang

2008 / China, HK / Digibeta / Color / 97min

2008 威尼斯影展 / 2009 香港電影節亞洲數碼錄像競賽單元金獎 / 2009 鹿特丹影展

導演唐曉白的第二部長片,描述中國東北一座工業小城中,一個尋找機會的女孩,遇見一名男客託她帶一件貨到中國南方的深圳;而深圳一名來自中國內地的女性正在辦離婚,並準備定居香港。兩個女性的故事,一虛構一紀實,卻有著互為可能的過往及未來。反諷的片名,慧黠的敘事方式,將影片組成一個混合劇情與紀錄,虛實相扣的世界。

Yueying Li, 21, leaves her hometown for a job and a better future. But when she finally steps outside of her closed world, she faces difficulties in life. Yet, she chooses to linger. Jenny as well left her inland country hometown to work. She marries a Hong Kong cook, but wants a divorce when she finally arrives in Hong Kong. These two girls cross their roads at one point in their adventures, but they have absolutely no idea that the other one exists.

7/06() 新三 13.00 (導演或影人出席映前或映後座談)

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《再見烏托邦》Night of an Era 

再見烏托邦 Night of an Era  trailerbar2.jpg

盛志民 SHENG Zhi-min

2008 / China, HK / Digibeta / Color / 89min

2009 香港電影節

《浮生》導演盛志民為中國的搖滾樂作傳。1986年開始的中國搖滾樂運動,從啟蒙、發展、輝煌到落寞,崔健、竇唯、何勇、張楚這群搖滾樂手走過了不凡的廿年,如今每個人都在面對自己的問題。是什麼改變了中國搖滾樂的行進軌跡?是毒品、女人,還是臺灣唱片公司的介入?是中國搖滾樂準備不足,還是如崔健歌中所唱到的:這世界變化太快?

Xiao Ke dropped school to join a rock band. 8 years later, he died of overdose at 24. Xiao Chang has been properly trained in music, but his parents can barely make ends meet. He works part-time in Beijing and meets several famous rockers. Back home, he realizes he’s different from the others. Xiao Ke’s father is the first pop music editor in China. After his son died, he led a simple life with his wife. What changed the course of China’s rock music?

7/03() 新三 21.00 (導演或影人出席映前或映後座談)

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《老年男女》Mr.Jia and His Friends   

老年男女 Mr.Jia and His Friends

訾瀚 ZI Han

2009 / China / Digibeta / Color / 90min

2008 中國獨立影像年度展 / 2009 雲之南記錄影像展

誰說相親是年輕男女的專利?山東濟南就有一家老年婚姻介紹所,提供老人定期聚會,尋找人生另一個春天的機會。84歲的老賈,希望找一個更年輕的美女,所以他總是ㄧㄛㄥ電影ㄥ的演員員謊稱自己54歲;77歲的乾媽,老伴已經去世兩年,是婚介所裡追求者眾的美人。在這邊,老人們的遲暮生活再度重燃希望,找到另一半終究不再只是夢想?

In Shandong Province, a matchmaking agency hosts occasionally parties especially for the elderly singles to offer them a second chance to find another true love and companion. In want of a younger woman, 84-year-old Jia always claims himself to be only 54. Qian, 77, who lost her husband two years ago, is said to be the most beautiful woman with lots of wooers in the agency. Here, with the help of this agency, their dreams will finally come true…

7/01() 新三 11.00

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《滾拉拉的槍》Lala’s Gun

滾拉拉的槍 Lala’s Gun  trailerbar2.jpg

寧敬武 NING Jing-wu

2008 / China / 35mm / Color / 97min

苗族少年滾拉拉,即將參加部落裡的成人禮。成人禮上,少年們都會得到父親贈送的獵槍。眼看成人禮越來越近,從未見過父親的滾拉拉,於是瞞著奶奶,背著半袋米踏上了漫長的尋父之旅,也帶領觀眾認識了躲銀行債務的失意獵人、找不到傳人的老師傅、離鄉打工的年輕人等。影片聚焦中國唯一帶槍部落,並起用當地居民演出自己,簡約而感人。

In the primeval forest of the southwestern China lives the Miao tribe. A boy named Lala lives with his grandmother. Traditionally, every boy will receive a gun from his father upon his adulthood. What worries Lala is he’s never seen his father. So Lala begins to search for him, but soon he realizes that he has to return. When he learns that he was an orphan, he loves and appreciates his grandmother even more. But will he get a gun in time?

6/27() 新二 19.30 (導演或影人出席映前或映後座談)

6/30() 新二 18.30 (導演或影人出席映前或映後座談)

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《扎賚諾爾》Jalainur 

扎賚諾爾 Jalainur  trailerbar2.jpg

趙曄 ZHAO Ye

2008 / China / Digibeta / Color / 92min

2008 釜山影展費比西獎 / 2009 鹿特丹影展競賽單元

扎賚諾爾是中國最北端的一個礦區,在蒙古語中意為「如海的湖泊」,當地的露天煤礦和運煤的蒸汽火車都將隨著礦脈枯竭而走入歷史。影片中一名工作卅多年的火車司機,退休前決定去探訪他住在中俄邊境的女兒,他的徒弟依依不捨地送行,離情盡在不言中。樸實的故事,絕美的攝影,不借助對白的情感交流,全片流露淡淡的哀傷。

Old Zhu, approaching retirement age, is a steam engine driver in the Jalainur coal mines while his apprentice Li Zhizhong is a signalman. They’ve been working together for years, inseparable both at work and in life. One day, Zhizhong is stunned to find that Old Zhu left earlier to visit his daughter at the border. Zhizhong follows Old Zhu, but decides to leave when Old Zhu’s daughter and son-in-law show up. Zhizhong misses the return train and lingers on around the border.

6/26() 新三 11.00

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《流离》Floating In Memory 

流离 Floating In Memory

彭韜 PENG Tao

2009 / China / Digibeta / Color / 107min

2009 鹿特丹影展競賽單元 / 2009 布拉格國際電影節

《血蟬》導演彭韜第二部劇情長片,仍延續前作的寫實冷調風格,拍片靈感來自一則真實的社會新聞,描述一名從農村來到小城打工的女孩,認識了當地一位男孩。這彷彿是典型男孩遇到女孩的故事,未料接下來竟是男孩把女孩出賣給客人。命運的發展與女孩原先的憧憬完全不同,社會底層的窮人為了生存去欺騙和逼迫同類的窮人,幸福與財富是不可得的夢想。

Xiu,17 , comes to a small town to work from her home in distant mountains. She meets Jinqiang in a disco pub. They get closer than they should be. But she never expects Jinqiang to be a pimp who seduces underage girls to be prostitutes to make money for him. And Xiu is Jinqiang’s new target. When Xiu is pregnant, Jinqiang is nowhere to be found. The owners of a shoe shop give her money to keep her baby for them to adopt…

7/01() 新三 19.00 (導演或影人出席映前或映後座談)

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《水上人家》River People 

水上人家 River People

何建軍 HE Jian-Jun

2008 / China / Digibeta / Color / 88min

2008 釜山影展

以富有奇士勞斯基風格的《郵差》被歐美電影界肯定的中國導演何建軍,找到陝西黃河上一戶三代相傳,靠打魚為生的水上人家。船老大每天督促兒子排網捉魚,不過兒子一個安於水上生活,一個卻不甘心一輩子待在這邊。老爸心裡明白,只要黃河一天存在,孩子遲早都會歸來。何建軍以寫實風格記錄漁家生活的細節,充滿讓人感動的生命韌性。

Haoshan Shan, a middle-aged boatman, has been fishing along Yantze River, Wei River and Yellow River over a span of 40 years. While others are illiterate, Shan’s teenaged child, Baowa, is the only one that knows how to read and write. Baowa yearns for a getaway from home and furtively starts his part-time job in town. But the boatman is sure that as long as the Yellow River exists, Baowa will eventually return.

6/26() 新三 20.20

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《河上的愛情》Cry Me A River 

河上的愛情 Cry Me A River

賈樟柯 JIA Zhang-ke

2008 / China, Spain, France / Digibeta / Color / 15min

2009 香港電影節

畢業十年,四個大學同學,兩對無緣戀人,在江南蘇州河畔再度重逢。學生時期的陳年話題,至今仍舊撩繞於心,往事從未放下,散落的感情也沒勇氣拿起。賈樟柯說他很喜歡《站台》和《頤和園》,於是刻意找來兩片的男女主角,重新配對,分飾兩對舊情人,拍出這部從內容到風格都在向《小城之春》導演費穆致敬的短片。

The two couples were once in love when they were classmates in college. Ten years after graduation, they reunite again, but time hasn’t alienated them at all. They still quarrel over those ten-year-old topics. They haven’t forgotten their past but don’t have enough courage to face the buried feelings for each other. Their lost love is like the seemingly silent but turbulent streams underneath, flowing like a maze and holding on tightly to their secrets.

6/26() 新三 20.20

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《中國已遠-安東尼奧尼與中國》China Is Far Away – Antonioni and China 

中國已遠–安東尼奧尼與中國 China Is Far Away Antonioni and China

劉海平 LIU Hai-ping

2008 / China / Betacam / Color / 135min

2009香港電影節

義大利電影大師安東尼奧尼,在文革期間花費近一個月時間,到中國拍攝長達四小時的紀錄片《中國》,影片中的負面訊息引起中國政府極大的反彈,也讓他成為不受中國歡迎的人物。本片導演劉海平在大師晚年四度造訪,看著大師寄情繪畫,畫中風景頗有中國山水之意,也跟大師聊起電影、中國,以及諸多往事。本片可說是安東尼奧尼的最後身影與最後告白。

This is a documentary that pays homage to the master Antonioni, a masterpiece amongst all his films. The master once said, “I respect and love China.” He concentrated himself in painting after retirement. His pieces of arts resemble the traditional Chinese ink paintings, the landscapes in both of which are surprisingly alike. With his documentaries, he filled in the blanks in the history of China. But as the master comes closer to us through a documentary, he gets farther and farther away from us.

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