電影節最新公告

★★2009第十一屆台北電影節圓滿落幕!精彩畫面請到相簿瞧一瞧 !(點這邊)★★

 

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橋下戀曲 Under the Bridges

海爾默‧考特納 Helmut KAEUTNER

1944 / Germany / 35mm / B&W / 92min

1946 盧卡諾影展

亨利與威利駕船航行在柏林哈維爾河,行經一座又一座的橋。這時他們發現女子安娜,正打算自橋上跳下,於是兩人急忙上前阻止。好巧不巧,兩人卻都同時愛上安娜,相約追到她的人,就必須放棄自己的船。威利深愛安娜,卻發現安娜愛上亨利。本片是納粹時期少數不為政治服務的傑出作品,攝影風格與敘事手法頗有法國導演尚雷諾之風。

Hendrik and Willi are the owners of a canal barge. One evening, they spot a girl, Anna, who is apparently about to jump off a bridge. They both run to save her, but are disappointed to find out that she merely throws a note into the river to rid a bad memory. As Anna travels back to Berlin with them, the two friends both fall in love with her. The two men make an agreement with one another: whoever wins Anna must forfeit his claim to the barge.

6/29(一) 新二 21.50 ★ ▲

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穿制服的女孩 Girls in Uniform

萊昂蒂娜‧莎崗 Leontine SAGAN

1931 / Germany / 35mm / B&W / 98min

1932 威尼斯影展

德國第一部正式在院線上映的電影,也是第一部同志電影,1931年在柏林上映即造成轟動。影片描述普魯士時代一個天主教寄宿女校,一個學生愛上了她的老師,老師欲拒還迎,一派受壓抑的中產階級與威權階級的拘謹作風,更突顯了學生們追求自由的天真。本片內容被視為影射當時普魯士法律和社會制度的冷酷,也被評為當年德國最佳影片。

Manuela,14, is sent to an aristocratic girls’ boarding school after her mother’s death. The school is run by an iron-handed headmistress, whose basic principles are discipline, orderliness and abstinence. In these surroundings, Manuela becomes introverted. Her only ray of light is her teacher Elizabeth who shows the girls love and understanding. One day, Manuela declares her love for Elizabeth. The headmistress is scandalized and locks Manuela in the isolation room …

6/28(日) 新二 18.30 ▲

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柏林工人日記 Current Problems: How the Berlin Worker Lives

史拉坦‧杜多 Slatan Dudow

1930 / Germany / 35mm / B&W /12min

當柏林的有錢人過著豪奢生活時,城市東邊聚居著大量的勞工階級,地下室的住所潮濕陰暗,結核病四處散播,染病的孩童毫無生氣。史拉坦‧杜多首度拍攝電影,以紀錄片的形式呈現二次世界大戰之前,威瑪共和時期柏林的社會問題,堪稱德國無產階級電影的前鋒。同場並加映導演第一部劇情長片《世界屬於誰》。

It is a silent documentary contrasting the living conditions of Berlin laborers with those enjoying the city's villas. During the period of Weimar Republic (1919~1933), Berlin faced serious inflation problems and a rising unemployment rate. The film portrays the unfavorable living conditions of the working class in East Berlin, with contagious tuberculosis spreading and ailing children distressed. Slatan Dudow’s debut film speaks for the .


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星期天的約會 People on Sunday

羅伯特.西奧德梅克 Robert SIODMAK, 葛特.西奧德梅克 Curt SIODMAK, 愛德嘉.奧爾瑪 Edgar G. ULMER, 佛烈德.辛尼曼 Fred ZINNEMANN

1929 / Germany / 35mm / B&W / 73min

2005 雪梨影展

柏林夏日,兩男兩女和無數柏林人一樣,相約週日出遊,他們在湖邊戲耍調情,其中一人還引誘了同遊的一位女孩。分手前大家相約下週再見,但是到了下個週日,男子早把女孩拋在腦後,另尋樂子去了。本片由比利.懷德等五個年輕人共同完成,生動而細膩地呈現1920年代柏林都會的繁華風貌與一個始亂終棄的愛情故事,為德國影史上首部獨立製片。

A tale of five young Berliners - a taxi driver, a traveling wine dealer, a record shop sales girl, a film extra, and a model - spending a typical Sunday together. In this vivid snapshot of Berlin life, a trip to the countryside reveals the flirtations, rivalries, jealousies, and petty irritations common to any group outing. Coincidently, the viewer gains insight into the lives of different residents of the metropole, and follows them through their everyday activities.

6/30(二) 新二 13.30 ★(導演或影人出席映前或映後座談)

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乳:傷心的奶水 The Milk of Sorrow  trailerbar2.jpg

克勞蒂亞‧尤薩 Claudia LLOSA

2009 / Peru, Spain / 35mm / Color / 94min

2009 柏林影展金熊獎、費比西獎 / 2009墨西哥 FICG 電影節最佳拉美電影、最佳女演員

秘魯新銳女導演克勞蒂亞‧尤薩的第二部劇情長片。母親的驟逝,讓法絲塔一心堅持要將媽媽的遺體帶離首都利馬安葬,同時也不得不正視自己內心的恐懼,以及深藏已久的秘密…。全片以魔幻寫實影像和優美清唱旋律,捕捉秘魯充滿神秘色彩的歷史社會風貌,甫推出就榮獲柏林影展金熊獎最高榮譽。

It is a story about re-awakening, a journey from fear to freedom. Fausta suffers from “the milk of sorrow”, an illness transmitted through mother’s milk by women who have been violated during the war of terrorism in Peru. The war has ended, but Fausta lives to remember it because “the illness of fear” stole her soul. Now, her mother’s sudden death forces her to confront her fears and the secret hidden inside of her: she uses a potato to serve as a protective shield.

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《爸,你好嗎?》How are you, Dad?    

爸...你好嗎? How are you, Dad?  trailerbar2.jpg

張作驥 CHANG Tso-chi

2009 / Taiwan / 35mm / Color / 107min

本片由數支不同短片組成,知名導演張作驥以精準的敘事手法,生動且豐富地描繪出一篇又一篇感動人心的篇章:沒錢看病的窮人,兇狠的片商老闆,誤會的父女,變性人,無奈的酒店經理,刻苦的粗工,退休的老人,打官司的老闆,子孫滿堂的獨居老人,忙碌的明星。你的父親是哪一種?對於父親的溫暖與孤獨,對孩子的愛與不捨,巧妙隱喻不論人在城市或鄉村,都有呼喊「爸,你好嗎?」的意念…。

Dedicated to his father, the director composes ten short stories in How are you, Dad? It portrays ten fathers of distinctive ages from various backgrounds; the hard labor, the war veteran, the young-and-divorced, the vile gangster, the forgotten elderly, the busy celebrity, the retired general and the bankrupt businessman. From the ten relationships between the fathers and their children, we see the warmth and love of all fathers as well as the solitude in their lives.

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德國09 Germany 09  trailerbar2.jpg

法提.阿金Fatih Akin, 沃夫岡.貝克Wolfgang Becker, 塞克.恩德斯 Sylke Enders, 多明力克.加夫Dominik Graf, 克里斯多夫.霍奇豪斯勒Christoph Hochhäusler, 羅穆阿德.卡馬克Romuald Karmakar, 妮可葉特.克雷畢茲Nicolette Krebitz, 丹尼.雷維Dani Levy, 安姬拉.夏娜萊克Angela Schanelec, 漢斯.斯特恩比奇Hans Steinbichler, 伊莎貝拉.斯蒂沃Isabelle Stever, 湯姆.提克威Tom Tykwer, 漢斯.韋恩加特納Hans Weingartner 

2009 / Germany / 35mm / Color / 151min 

2009柏林影展 

《蘿拉快跑》導演湯姆.提克威登高一呼,十三位當代德國導演齊向《德國之秋》致敬,比起三十年前的電影前輩,這批晚生不喜批判控訴,反愛嘲弄譏諷,並共同提問「德國是什麼?」一種靈藥竟讓沮喪的德國人開心起來,連總理都前來求醫?《再見列寧》導演沃夫岡‧貝克更把德國拍成一所系統失靈的精神病院?光怪陸離的德國萬象,等你來作見證。 

13 Germany’s most acclaimed film directors come together to create Germany 09, a very personal panorama of the social and political situation in their country today. The film comes right in the middle of the social upheaval brought about by “Agenda 2010” on the path to the globalized 21st century, over 60 years after the end of World War II, 40 years after the student uprisings of 1968, 30 years after the 1977’s “German Autumn” and 20 years after the fall of the Berlin Wall in 1989.

6/26(五) 中山 14.00 ★(導演或影人出席映前或映後座談)售完!

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陽陽 YANG YANG

鄭有傑 CHENG Yu-chieh

2009 / Taiwan / 35mm / Color / 112min

2009 柏林影展 / 2009 香港電影節

李安、李崗的「推手計畫」第一炮。影片敘述中法混血兒陽陽從未見過法籍生父,也不懂法文,遇到旁人頻頻詢問是否會說法文時,也只能尷尬一笑。面對母親再嫁,學姐成為自己的姊姊,兩人還愛上同一個男生,內心孤單的陽陽,在種種衝突掙扎之中,該如何面對自己的各式傷痛?台北電影獎百萬首獎得主鄭有傑,繼《一年之初》之後,再展精湛敘事功力。

“So, you speak French?” Eurasian Yang-Yang has frequently been asked this question ever since she was little. She always answers it with an awkward smile since neither has she met her French birth father nor does she speak any French. She yearns for a family and her dream seems to come true when her mother remarries. Yet this new family turns out to be a disappointment. After that, nothing, not even some temporary passion, can ease her loneliness. Her quest for love is in vain. 

6/26(五) 中山 19.00 ★(導演或影人出席映前或映後座談售完!

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